PHOTOGRAPHY AND COMPOSITION
SUSANTA BANERJEE, FRPS, MFIAP, ESFIAP, Hon.FPAD, Hon.FBPS, Hon. FCOS
Aside from mastering exposure, composition is one of the most difficult parts of photography for one to learn. In photography, composition refers to the structure, organization and visual characteristics of the elements in the photograph. Composition can be complex, powerful, boring, moody, uplifting and many other adjectives. When you hear photographers refer to composition of a photograph, literally they are talking about things like subject placement, lighting, color, lines, textures, space, balance and more.
Some common guidelines for photographs include—
- RULE OF THIRDS :- Imagine that your image is divided into 9 equal segments by 2 vertical and 2 horizontal lines, The rule of third says that you should position the most important elements in your scene along this lines or at the points where they intersect. Doing so will add balance and interest to your photo. Some cameras even offer an option to superimpose a rule of thirds grid over the LCD screen, making it even easier to use
- BALANCING ELEMENT:-Placing the main subject off centre as with the rule of thirds create a more interesting photo, but it can leave a void in the scene which can make it feel empty. You should balance the “weight “of your subject by including another object of lesser importance to fill the space.
- LEADING LINES:-When we look a photo our eye is naturally drawn along lines in the picture. By thinking about how you place lines in your composition, you can affect the way you view the image, putting us into the picture, towards the subject, or on a journey through the scene. There are many different types of line—straight, diagonal, curvy, zigzag, radial etc.—and each can be used to enhance your photo’s composition.
- SYMETRY AND PATTERNS:–WE are surrounded by symmetry and patterns, both natural and manmade. They can make for very eye-catching compositions, particularly in the situations where they are not expected. Another great way to use them is to break the symmetry or pattern in some way, introducing tension and a focal point to the scene.
- VIEW POINT:–Before photographing your subject, take time to think about where you will shoot from. Our view point has a massive impact on the composition of the photo, and as a result it can greatly affect the message the shot conveys. Rather than shooting from eye level, consider shooting from high above, down a ground level, from the side, from the back, from a long way away from very close and so on.
- BACK GROUND:–How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact because the subject blends into busy background? The human eye is excellent in distinguishing between different elements in a scene, where as a camera has a tendency to flatten the foreground and background and this can often ruin an otherwise a great photo. Thankfully this problem is easy to overcome at the time of shooting – look around for a plain and unobtrusive background, and compose shot so that it doesn’t distract or detract from the subject.
- DEPTH:–Because photography is a two dimensional medium, we have to choose our composition carefully to convey the sense of depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle ground and background. Another useful composition technique is overlapping, where you deliberately partially obscure one subject with another. The human eye naturally recognizes these layers and mentally separates them out, creating an image of depth.
- FRAMING:–The world is full of objects which make perfect natural frames, such as trees, archways and holes or tunnels. By placing them around the edge of the composition you help to isolate the main subject from the outside world. The result is a more focused image which draws your eye naturally to the main point of interest.
- CROPPING:–Often photo will lack impact because the main subject is so small it becomes lost among the clutter of sorroundings. By cropping tight around the subject you eliminate the background ”noise”, ensuring the subject gets the viewer’s undisturbed attention.